Using contrast is one way of controlling how interesting your photograph is. Does your viewer’s eye slip over your photograph and move on to the next thing or does something hold their attention and take them further into your image?
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In the final part of this mini-series on using flash we’re going to explore studio flash units, which are also known as ‘strobes’.
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Explore the options available when you invest in a hotshoe-mounted flash.
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Part 2 of our “introduction to flash” series: How to control your flash.
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Flash is an incredibly creative tool that will enable you to use innovative lighting set-ups on location or make imaginative images in the studio. Part 1 of a 4-part series on flash photography.
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There are a number of things you can do at the post-processing stage to give your now well-composed image an extra step-up.
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Photographers use lines to guide their viewer around the frame and to add a subtle layer of interest to their photographs. Implied lines are just as important as actual lines.
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Analysing your own photographs and working out whether they “work” or not is difficult - but not impossible - to do objectively.
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A photographer needs to work with colours not against them.
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